BIG EYES (2014)
reviewed by Jessica Elliott
"So, who is the artist?"
- a woman inquiring about the Big Eyes artist.
And with these five words, Big Eyes reveals itself as a movie about two different artists: one that dabbles in acrylics while the other dabbles in deception. Big Eyes is layered in its story-telling, beginning with hopefulness, trust, deception, abuse, horror and relief. Amy Adams (as Margaret Keane) and Christoph Waltz (as Walter Keane) handle the delivery of these complex emotions like the professionals they are with a cherry on top. The strength of Margaret Keane is one of beauty, especially when that strength is finally acknowledged and rewarded. The feminist layer to this movie, a product of the time period, was an unexpected but pleasant surprise to the film’s depth. The duration of the movie is spent realizing we’re watching Margaret and her artistic talent only to realize that Walter is just as artistic, albeit in a very different way. 

Sad, Unbelievable, Manipulative, Beautiful, Inspiring, Deception, Feminism

Beautiful acting by Christoph Waltz and Amy Adams
Color palette
Layered emotions
Authentic film production value

Odd tonal change throughout movie
Uneven movie pace
Felt lengthy at times
Lack of Tim Burton touches

I remember Big Eyes paintings when I was a child. After watching the film, I realize now they were the mass-produced versions of the originals as posters, postcards, t-shirts, etc. However, before we delve in, can we please discuss how Amy Adams never ages? She’s got the same anti-aging genes as Pharrell and Paul Rudd. Am I right? She’s 40-years-old and looks fucking amazing! She radiates innocence and dangerous flirtation at the same time. The complexity of achieving this baffles me. Okay. Just had to get that off my chest. Let’s move on.

Big Eyes follows the story of Margaret Keane and her paintings of children with eyes exaggerated in size. She explains that for a short while as a young child, she was deaf and relied on the facial expressions and eyes of those she was talking with to completely understand them. Eyes are important to her and thus, she enlarges them in all her paintings. Enter Walter. He’s an artist, charming as hell, and wants to take care of Margaret. Soon after they meet, they become husband and wife. Walter, realizing Margaret has a genuine talent in painting, offers to sell her paintings and are a success very quickly, making large sums of money. The caveat, however, is that Margaret must relinquish public ownership of the artwork because “nobody wants to buy lady art,” according to Walter. Giving in to her husband, she allows him to take credit for her paintings for over a decade.